Idea generation

Idea 1

Character plan (Neo-noir)

Character development

Name: Sakeh Mukala

Age: 17

Background: Cameroonian, St Lucian, Ghanaian, Nigerian, Mali

Birthplace: Ghana, Akkra

Gender: Male

Race: Human

Environment: City, Brixton

Persona: Very stoic, aloof and cold. Extremely devensive and violent when confronted due to constant environmental and family trauma. Although seen as sinister he is just a boy who deep down is crying for help as his mental health constantly detoriates.

History: Was born in 2085 in the streets and slums of Yaounde within an oppressed and dictated society. Sorrounded by crime, riots violence, blood among other horrors, he's parents were both murdered and he fled on a boat to the UK and sent to a detention centre. He is then moved into an adopted family in Brixton where he lives among the gritty streets avoiding rival gangs and street crimes.

Idea 2

Character

Name= Mali

Background= Mali, Somali, Yemeni, Egyptian

Character= intelligent, clever, introverted, fierce, headstrong, rebellious, independant, aggressive

History

Mali was born in the capital of Bamako in Mali. Born on April 23rd, Mali has always had a fierce and rebellious energy, both within her eyes and demeanour.

Born and raised in a muslim household, Mali has never felt like her life was her own, growing up in a strict religious household, Mali has been told all her life what to wear, what to believe in and how she should live her life.

Years of living under this oppression has made her very bitter and resentful of her upbringing, turning into a fierce and rebellious individual who hates answering to anyone. She moves to London in 2021, her first year of college starting in

Idea 3

Utopia/dystopia

What is dystopia

Dystopia is a concept that's been used in literature as well as in films such as the hunger games and divergent. The concept of dystopia is that it is based on a society that governed by extreme prejudices, injustices and corruption. Qualities of a perfect society such as obedience, order and equality and taking aspects of or all of these qualities to the extreme, which transforms it into the direct opposite of what said society is supposed to stand for transforming it into the term dystopia.

Dystopia is a genre that extends into our world within the past, present, and future as the genres elements are meant to exploit and emphasize the darkest traits let loose in humans. Dystopian are often used in literature, film, and other forms of media to critique contemporary society, and to warn against the dangers of political and social power.

Other aspects of human dystopia are characterized by miserys of humanity. Elements such as

Poverty
Oppression
Disease
Violence
Pollution

What is Utopia

The opposite of dystopia is utopia. A community or society that is seemingly perfect in every way possible. Its main focus revolves around equality in all categories:

Politics
Economy
Justice
Government

The implement of these societal structures vary's depending on the narrative being created. The word was first coined in Thomas Moores published book called utopia. The concept of a utopia has been the subject of much debate and speculation over many years. Some argue that it is an unattainable ideal, while others argue that it is a necessary goal that should be strived to achieve.

One of the key challenges in creating a utopia is that fact that humans as a species is inherently flawed and imperfect, and thus, any attempt to create a perfect society is likely to fail.

However despite these odds, attempts have been made throughout history to create utopian societies, usually based on religious or political beliefs. For instance the shakers, a religious sect that emerged in the 18th century created a utopian community based on the principles of celibacy, communal living, and equality between sexes. Similarly, the oneida community, which was founded in the mid 19th century also based their community on principles of communal living, free love as well as sexual experimentation.

While these attempts to create utopian societies have often failed, they have regardless have had a significant impact on the development of modern society. They have brought about inspirations of a better world, and have led to the rise and development of social and political movements that aim to create a more just and equal society.

Analysis of Utopia in film

Tomorowwland is a science fiction film directed by Brad Bird and co-written by Damon Lindelof, released in 2015. The film stars George Clooney as Frank Walker, a former boy-genius inventor, and Britt Robertson as Casey Newton, a young girl with an optimistic outlook on life.

The film is set in a futuristic world where a secret society of inventors, scientists, and dreamers have created a utopia known as Tomoroww land. This utopia is a parallel dimension that exists outside of time and space, where technological advancements have created a perfect world free from war poverty, and suffering. The central theme of the film is about the power of hope and the importance of a positive outlook on the future.

Tomorrow land explores the themes of utopia, hope, and the power of imagination. The film's central idea is that the future can be shaped by the collective imagination and dreams of humanity, and that a better world is possible if people believe in it and work towards it.

The utopia of Tomorrowland is a manifestation of this idea, representing a world where technology and imagination have combined to create a perfect society. The film portrays this utopia as a place of wonder and excitement, where anything is possible and people are free to pursue their dreams and passions. However, the film also highlights the fragility of utopia, as the citizens of Tomorrowland are shown to be losing their hope for the future and the world is facing a crisis.

In this sense, Tomorrowland presents a nuanced view of utopia, showing both its potential to create a better world and its limitations. The film suggests that a perfect world cannot exist without the hope and positive energy of its citizens, and that a utopia must be constantly nurtured and defended by those who believe in its ideals.

The film also explores the power of hope and the importance of a positive outlook on the future. Through the character of Casey, the film argues that even in the face of adversity and obstacles, a positive outlook and determination can help individuals to overcome challenges and achieve their goals. This message is reinforced by the film's central theme, that the future is not set in stone and can be shaped by the collective imagination and dreams of humanity.

In conclusion, Tomorrowland is a thought-provoking film that explores the themes of utopia, hope, and the power of imagination. The film presents a hopeful message about the future, suggesting that a better world is possible if people believe in it and work towards it, and that hope and a positive outlook can help individuals to overcome challenges and achieve and their goals.

The giver

Analysis of Dystopia in film

Rise Of The Planet Of The Apes is a science fiction film that was released in 2011. The movie serves as a prequel to the original planet of the apes series explores the events that led to the apes taking over the planet.

The plot follows a scientist named Will Rodman who is working on a cure for Alzheimers disease, a disease that his father suffers from. Will works for a pharmaceutical company called Gen-sys, testing a new experimental drug on chimpanzees that he believes can cure Alzheimers disease.

The event follows a chimp called Bright Eyes having a positive reaction to the drug but while Will is doing a presentation of the drug to investors, Bright eyes goes berserk and causes chaos in the lab before being shot and killed by security.

Will is then ordered to shut down the project but then realizes that Bright eyes gave birth to a chimpanzee which he takes home as a pet and names him Caesar. The plot expands as Caesar continues to grow in intelligence and eventually leads a revolution against human oppression. This starts leading the film to present a world that is on the brink of a dystopian future.

One of the main elements of dystopia within the film is the concept of a dehumanized society. This movie presents a world in which humans have lost their sense of empathy and compassion. The humans in this film are portrayed as greedy, selfish, and callous towards animals and nature. They exploit animals for their own selfish purposes, conduct cruel experiments, and show no regard for the welfare of the apes.

Another element of dystopia in the film is the dehumanization of the apes. The apes in the movie are treated as nothing more than objects, and are subjected to cruel and inhumane treatment. They are caged and experimented on, and their lives are controlled by their human captors. The apes are also denied their basic rights and freedoms, and are forced to live in a world where they are constantly oppressed.

The film also portrays world that is on the brink of environmental collapse. The reckless actions of humans has resulted in deforestation, pollution, as well as the destruction of natural habitats. The apes in the movie serve as a warning to humanity, showing what can happen when we fail to take care of the planet.

The film also presents a world in which there is a stark divide between the haves and the have nots. The wealthy characters in the movie live in luxury, while the poor characters struggle to make ends meet. This divide is shown through the character of Will Rodman, who is a scientist and wealthy individual, and caesar, who is an ape and represents the oppressed lower class.

The film also explores the concept of power and control. The humans in the movie are desperate to maintain their power over the apes, and are willing to use violence and force to do so. The apes, on the other hand, seek to overthrow their human oppressors and gain control of their own lives. The struggle for power between the two groups is a major theme in the movie, and ultimately leads to the apes taking control of the planet.

In conclusion Rise of the planet of the Apes is a film that presents a world that is on the brink of a dystopian future. The movie explores the themes of dehumanization, environmental collapse, wealth inequality as well as a struggle of power. Through the portrayal of the relationship between humans and apes, the film warns of the dangers of mistreating the environment and of not treating all living creatures with compassion and respect.

Maze Runner

The theme of dystopia is a common one in science fiction, and maze runner is no exception. The film takes place in a bleak and oppressive world, where the characters must struggle to survive in a harsh and unforgiving environment. Through its depiction of the glade WCKD, and the psychological effects of living in a dystopian society , maze runner explores the consequences of unchecked scientific progress and the impact of living in a society where individual freedoms are suppressed.

At the heart of maze runner is the glade, the walled off enclosure in the middle of the maze that serves as the primary living space for the boys. The glade is the symbol of the larger dystopian society in which the characters live. It is a bleak and isolated environment, with no natural light and very little vegetation. The boys are completely cut off from the outside world, and their only hope for escape is to solve the maze's riddles and find a way out. The glade is a microcosm of the larger dystopian society, where people are cut from each other and the outside world, and where individual freedoms are supressed in the name of security.

The film also explores the role of science and technology in creating and maintaining a dystopian society. WCKD is a shadowy organization that is responsible for creating the maze and experimenting on the boys. They are portrayed as ruthless and unethical, willing to sacrifice the lives of the boys in the name of scientific progress. WCKD represents the authoritarian and oppressive government that is common in dystopian fiction. They have a seemingly unlimited budget and access to advanced technology, which they use to keep the boys trapped in the maze and to monitor their every move. The film suggests that unchecked scientific progress can be dangerous, especially when it used to control and manipulate people.

One of the most powerful aspects of Maze Runner is its exploration of the psychological effects of living in a dystopian society. The boys in the film are forced to fend for themselves in an environment where resources are scarce and danger is constantly present. They are plagued by nightmares and hallucinations, which reflect their fear and desperation. The film suggests that living in a dystopia can have a profound impact on a persons mental health, and that the effects can be long lasting.

The character of Thomas, the films protagonist, embodies the struggle to maintain individual freedom in a dystopian society. Thomas arrives in the glade with no memory of his past life, but quickly realizes that something is not right. He is determined to find a way out of the maze and to uncover the truth about the world outside. His quest for freedom and knowledge is a powerful metaphor for the struggle for individual freedom in a society that seeks to suppress it. Through Thomas, Maze Runner suggests that the human desire for freedom and knowledge is a powerful force that can overcome even the most oppressive of societies.

Another key element of Maze Runner is its exploration of the power of community and the importance of solidarity in the face of adversity. The boys in the glade have formed a tight-knit community, with each member contributing to the survival and well being of the group. They support each other through the dangers of the maze and psychological trauma of living in a dystopian society. Through their community, the boys find a sense of purpose and belonging that helps them to overcome the challenges they face. Maze Runner suggests that community and solidarity are powerful tools for resistance and survival in the face of oppression.

The hunger games

The hunger games is a film that takes place within a dystopian society, and as such it contains many elements of dystopia. The key elements of dystopia within the film are:

Oppressive government: In the hunger games, the government of panem is extremely oppressive. It controls every aspect of its citizens' lives, from their jobs to their food supply. The government's primary tool of control is the annual hunger games, in which children from each district are forced to fight to the death for the entertainment of the ruling class. The government also uses propaganda to control the minds of its citizens and maintain its grip on power.
Limited personal freedom: The citizens of panem have very limited personal freedom. They are assigned jobs by the government and have no say in their occupation. They are also limited in their movement, as they are not allowed to leave their districts without permission. The government also controls what they can eat and drink, which is often meager rations.
Social inequality: In the hunger games, there is a stark contrast between the ruling class and the citizens of the districts. The ruling class lives in luxury and has access to abundant resources, while the citizens of the districts live in poverty and struggle to survive. The hunger games are a symbol of this inequality, as they are designed to remind the citizens of the districts of their place in society.
Surveillance and Control: The government of panem is constantly surveilling its citizens, both through the use of technology and through the presence of peacekeepers, who are tasked with maintaining order in the districts. The government also controls the flow of information, and citizens are not allowed to access certain types of media or information.
Fear and Violence: In the hunger games, fear and violence are used as tools of control by the government. The hunger games themselves are a brutal and violent spectacle, and citizens are forced to watch as children are killed. The threat of violence is also used to keep citizens in line, as the government is not afraid to use force to maintain its power.

Akira

Akira is a 1988 Japanese animated sci-fi film, directed by Katushiro Otomo and based on his own manga series. The film is set in a dystopian future, in which the city of Neo-Tokyo is recovering from a devestating world war iii that happened in 1988. The movie explores various themes such as power, corruption, violence, and social unrest.

The movie's dystopian society is characterised by a stark contrast between the rich and poor. The wealthy live in towering skyscrapers, while the poor are forced to live in slums that are constantly exposed to violence, crime, and gang activity. The government is portrayed as corrupt, incompetent, and oppressive. The police are often depicted as brutal and authoritarian, using violent means to maintain control over the population.

One of the central themes of the movie is the abuse of power. The government's experiments with psychic powers lead to a massive explosion that destroys Tokyo and kills thousands of people. The government tries to cover up its role in the disaster by blaming it on a terrorist attack. However the film's protagonists uncover the truth and reveal the government's corruption and misuse of power.

The film also explores the consequences of scientific advancement without ethical considerations. The government's experimentation with psychic powers is an example of this. The scientists involved in the experiments are more interested in achieving their goals than considering the potential dangers and risk of their research. The movie portrays the consequences of their actions in a graphic and terrifying way.

The movie's dystopia is also characterized by social unrest and rebellion. The young biker gang, led by Kaneda, fights against the corrupt government and its oppressive policies. The gang's rebellion is fueled by their frustration with the government's mistreatment of the poor and their desire for justice and freedom. The movie shows that when people feel oppressed and powerless, they will fight back against their oppressors.

Overall Akira is a thought-provoking and disturbing portrayal of a dystopian society. The film highlights the dangers of uncheked power and the consequences of ignoring ethical considerations in scientific research. The movie's graphic violence and bleak setting create a sense of despair, but the story's underlying message of hope and rebellion against oppression makes it a compelling and important film.

The giver

The giver is a 2014 American dystopian science fiction film directed by Phillip Noyce, based on 1993 novel of the same name by Lois Lowry. The film is a mix of several genres, including science fiction, drama, and thriller, but it primarily falls under the category of dystopian fiction.

The movie is set in a seemingly perfect society that has eliminated all pain, fear, and suffering. However, it is revealed that the society's peace comes at a great cost, as individuality, freedom of choice, and human emotions have been eradicated. The story follows Jonas (Brenton Thwaites), a young man who is selected to become the receiver of memory, a role that puts him in contact with the society's past memories and knowledge, which he then begins to question.

The utopia in the giver is depicted as a society that has achieved total control over its citizens' lives. The government is responsible for assigning jobs to citizens, selecting their spouses, and even determining the number of children each couple can have. Citizens are also required to take daily injections that supress emotions and prevent them from experiencing any negative feelings.

The movie explores the idea that a society that has eliminated all pain, fear, and suffering is not necessarily a utopia. Instead, it argues that a society that values individuality, freedom of choice, and human emotions is necessary for true happiness and fulfillment. The film's central theme revolves around the importance of human emotions, memories, and experiences, which give meaning to life and make us who we are.

In conclusion the giver is an intriguing and thought provoking film that explores complex themes such as the cost of eliminating suffering, the importance of individuality, and the role of memories in shaping our identity. While it falls under the dystopian genre, it ultimately offers a helpful message about the importance of embracing our humanity and the richness of our experience.

FMP

Blade runner is a 1982 film neo-noir science fiction film directed by Ridley scott and based on the novel Do Androids Dream of Electric Sheep by Phillip K. Dick. Set in a dystopian future Los Angeles in the year 2019, the film portrays a world in which advanced robotics technology has led to the creation of synthetic human beings known as replicants, who are used as laborers in off-world colonies. The film's protagonist, a retired police officer named Rick Deckard (played by Harrison Ford) is tasked with hunting down and retiring four rogue replicants who have escaped to Earth.

One of the most striking aspects of Blade Runner is its scale. The film portrays a sprawling, densely populated cityscape filled with towering skyscrapers, neon advertisements and labyrinth streets. The scale of the city is overwhelming, and its inhabitants seem to be swallowed up by its enormity. This sense of scale is reinforced by the film's use of wide angle lenses and long shots, which emphasize the vastness of the urban landscape.

The lighting in Blade Runner is also a key element in creating its distinctive atmosphere. The film's use of high contrast lighting, with bright neon lights contrasting sharply with dark shadows, creates a sense of visual intensity and depth. The use of lighting also serves to reinforce the film's themes of alienation and isolation, as characters are often depicted in dimly lit spaces, or framed by shadows.

The population of Blade Runner is depicted as diverse and multiethnic, but also deeply stratified along class lines. The wealthy elite live in high rise buildings and enjoy the benefits of advanced technology, while the lower classes are relegated to cramped, overcrowded living spaces and are subjected to harsh working conditions. This class scructure is reinforced by the film's use of language, with the wealthy speaking a more refined, cultural dialect and the working class speaking a more rough, colloquial language.

Technology is also a major theme in Blade Runner. The film portrays a world in which advanced robotics and genetic engineering have fundamentally altered human society. Replicants are used as laborers, while advanced flying cars and other technologies are common place. However, these advancements have also led to a sense of alienation and disconnection, as characters struggle to connect with one another in a world that is increasingly dominated by machines.

The theme of authoritarianism is also central to Blade Runner. The film's depiction of the police as a powerful, nearly omnipotent force reinforces the idea of a society in which individual freedoms are subordinated to the needs of the state. This is further reinforced by the character of Tyrell, the founder of the company that created the replicants, who is depicted as a god like figure with almost absolute power over his creations.

The genre is action and thriller. The batmans intro establishes itself within a dark and miserable setting, rain is pouring dwn heavily, sky is grey, city is polluted with noise, traffic and crime. The first clip is a close up of someone spying on someone through binoculars in their mansion. We are then taking inside the mansion of the soon to be victim. The heavy atmosphere of suspense is established as we have this mysterious killer standing behind his victim as he is consumed by the tv screen watching the news. The symbolism of the news being conflicting establishes the depressing setting that the movie is in.

After the murder has taken place we are then shown a wide shot of the city at night which further emphasises the dark tone and mood. We are given a voyer perspective of the city.

The Batman directed by Matt Reeves and starring Robert Pattinson in the titular role, is a dark and gritty exploration of the iconic DC comics characters. Set in a hyper-realistic version of Gotham city, the film presents a world that is both familiar and new, with a focus on the city's various socio-economic and political struggles.

One of the most striking aspects of The Batman is its scale. Reeves presents a sprawling, almost overwhelming version of Gotham, with towering skyscrapers and endless alleyways. The city is shot in a way that emphasizes its size and density, with the camera often pulling back to reveal entire neighbourhoods or plunging into claustrophobic, neon-lit streets. This creates a sense of both wander and danger, as viewers are constantly reminded of the vastness world they are watching.

The lighting in the Batman is also notable, with a heavy emphasis on darkness and shadows. Many scenes are bathed in a moody blue or green hue, with light sources often coming from unexpected angles. This creates an atmosphere of tension and unease, as characters are often hidden in darkness or illuminated in way that suggests hidden motives or secrets.

The population of Gotham is diverse and varied, with characters from all walks of life represented. From the wealthy elite to the destitute underclass, Reeves paints a picture of a city struggling to find its footing in an uncertain world. The film explores issues of class and inequality, with the wealthy and powerful using their resources to maintain their grip on the city's institutions and resources.

Technology also plays a major role in the Batman, with the film presenting a world that is both familiar and futuristic. The batcave is filled with advanced gadgets and surveillance equipment, while the villains employ cutting-edge weapons and devices to achieve their goals. This juxtaposition of old and new technology creates a sense of unease, as the familiar trappings of the Batman mythos are placed in a modern context.

The theme of authoritarianism is also explored in the Batman, with the city's leaders shown to be corrupt and self-serving. The police force is shown to be ineffective and compromised, while a powerful mayoral candidate threatens to use his wealth and influence to cement his grip on the city. This creates a sense of helplessness and desperation, as characters are forced to navigate a world where the rules are constantly changing.

Finally the occupation of Gotham by the villains plays a major role in the film's narrative. The Riddler,penguin, and other villains have taken over the city, and Batman must navigate this hostile environment in order to bring them to justice. The film presents a world in which chaos and violents are the norm, with the villains ruling through fear and intimidation. This creates a sense of urgency and danger, as Batman must use all his resources to defeat the villains and restore order to Gotham.

Overall the Batman is a complex and nuanced exploration of the Batman mythos, with a focus on the city of Gotham and its various struggles. The film presents a world that is both familiar and new, with a sense of scale and atmosphere that is both awe-inspiring and terrifying. Through its themes of technology, class authoritarianism, and occupation, the Batman presents a vision of Gotham that is both haunting and unforgettable.

The intro fades into a vast desert landscape with cliff faces blocking the sun. The next scene is within a cave, switching from the bright and scorching atmosphere of the surface to the underground dark cave, within its enclosed environment. There is a strong narrative being displayed without dialogue, just through the course of actions within the passage of time, the settings of the different environments along with the actions being presented through the main actor. The silent narrative tells us the silent story of a man doing hard manual labour of mining and extracting eathly materials for profit. The lighting help progress and set the atmosphere of the narrative. When the man is on the surface the lighting is very bright and harsh in contrast to being in the mine which is dark and gloomy, enciting a feeling of emptiness and loneliness.

Visual style

The visual style of the royal tenenbaums is distinctly Wes Anderson, as he is known for his symmetrical framing, use of bold colors and meticulously curated set design. The film features a richly textured visual palette, with a combination of rich, warm colors and earthly tones, as well as a variety of patterns and textures that are seen throughout the film's sets and costumes. Andersons use of of mise-en-scene is also prominent, with carefully arranged props and details that help to enhance the films visual storytelling.

Genre

The royal tenenbaums is a mix of genres including comedy, drama,and family drama. The film presents a satirical and comedic portrayal of a dysfunctional family while also exploring themes of redemption, forgiveness and love.

Environment

The film is set in New York City, in a world that feels both familiar and stylized. The Tenenbaums family's home,a sprawling mansion in the city, is one of the films central settings. The home is filled with electric furnishings and decor, reflecting the family's individualistic and quirky personalities. The city itself is portrayed as a bustling and vibrant place, with distinctive neighbourhoods and landmarks that provide a backdrop for the films events.

Editing style

The films editing style is a mix of slow-motion shots,jump cuts, and fades. These techniques are used to highlight important moments and to convey emotional shifts in narrative. The use of slow motion and jump cuts are particularly effective showcasing the film's comedy, as they add a quirky and offbeat element to the film's pacing. Additionally, the use of fades is employed to transition between different time periods, providing a sense of temporal continuity to the narrative.

The banshee of inisherin

Case study: UK film production

The United Kingdom has a rich history of film production and is home to a diverse range of film production companies. These companies are responsible for producing some of the most successful films in the history of cinema. In this case study, i am going to take a closer look at some of the most notable film production companies in the UK, the projects they have worked on, the people within these companies, and their contributions to the film industry.

Working title films

Working title films is one of the most well known film production companies in the UK. Founded in 1893 by Tim Bevan and Sarah Radclyffe, the company has produced over 100 films to date. Some of their most successful films include

Four weddings and a Funeral

Billy Elliot

Love Actually

And Bridget Jones's Diary.

Working title films has been instrumental in launching careers of many actors,writers and directors. For example Richard Curtis, the writer and director of love actually, got his start with working title films. The company has also worked with many of the biggest names in Hollywood, such as Steven Spielberg and the Coen Brothers.

History and background

Working Title Films was founded in 1983 by Tim Bevan and Sarah Radclyffe, who left to start their own company a few years later. The company was then headed by Eric Fellner and Tim Bevan, who has remained as co-chairman since. Working Title Films is owned by NBCUniversal, a subsidiary of comcast.

Working Title Films has produced numerous successful films over the years, including Four Weddings and a Funeral, Bridget Jone's Diary, Love Actually, Atonement, and Les Miserbles. The company has worked with many notable actors such as Hugh Grant, Colin Firth, Keira Knightley, and Emma Thompson, as well as renowned directors like Joel and Ethan Coen, Edgar Wright, and Tom Hooper.

Contributions to the industry: Working Title Films has been instrumental in promoting British talent and creating films with a uniquely British sensibility. The company has been responsible for launching the careers of many actors and filmmakers, including Richard Curtis, the writer and director of Love Actually. Working Title Films has also been successful in producing a wide range of films, from romantic comedies to dramas and musicals, and has consistently delivered box office successes and critical acclaim

Growth and success: Over the years, Working Title Films has grown from a small independent production company into a major player in the global film industry. The company has won numerous award, including Oscars, BAFTAs, and Golden Globes, and has consistently produced films that have resonated with audiences around the world. In recent years, Working Title Films has expanded its operations to include television and has continued to nurture new talent and promote diversity in the industry.

DNA Films

DNA films is a UK-based film production company that was founded in 1997 by Andrew Macdonald and Duncan Kenworthy. The company has produced a number of successful films, such as 28 days Later, sunshine, and EX Machina. DNA films has been successful in working with well-known directors, such as Danny Boyle and Alex Garland. The company has also been committed to producing science-fiction films that are both thought-provoking and entertaining.

History and Background:

DNA films was founded in 1997 by producer Andrew Macdonald and screenwriter Alex Garland. The company is based in the UK and has produced a number of successful films, including 28 days Later, Sunshine, and EX Machina.

DNA Films has been successful in working with well-known directors and actors, such as Danny Boyle, Cillian Murphy, Rose Byrne and Oscar Isaac. The company has been committed to producing science-fiction films that are both thought provoking and entertaining.

DNA Films has been successful in promoting the science-fiction genre and has been instrumental in producing films that explore contemporary issues through the lens of science fiction. The company has also been committed to promoting diversity in the industry and has worked with a number of emerging talent, including director Alex Garland, who made his directorial debut with EX Machina.

DNA Films has continued to expand its operations and has produced a number of successful films in recent years, such as Annhilation and Devs. The company has also continued to nurture new talent and promote diversity in the industry, and has been successful in establishing itself as a major player in the global film industry.

Contribution to the film industry:

DNA films has made significant contributions to the film industry both in the UK and on a global scale. Since it's establishment in 1999, the company has played a vital role in producing critically acclaimed and commercially successful films, leaving an indelible mark on the cinematic landscape. DNA films dedication to artistic excellence, innovation, and risk taking has garnered recognition and accolades, solidifiying itself as a major player within the film industry.

One of DNA films most notable contributions is its commitment to fostering and promoting British talent. The company has been instrumental in providing a platform for emerging filmmakers and actors, supporting their creative endeavours and helping them gain recognition. This commitment to nurturing talent has resulted in the discovery of remarkable individuals who have gone on to make significant contributions to the film industry, both in the UK and abroad.

DNA films collaborations with prominent British director Danny Boyle have been particularly influential. Their partnership began with the groundbreaking film Trainspotting (1996), which propelled both DNA films and Boyle to international acclaim. The film's raw portrayal of drug addiction and its innnovative storytelling techniques demonstrated DNA Film's commitment to pushing boundaries and challenging conventional norms.

Continuing their successful collaboration, DNA films and Danny Boyle produced the critically acclaimed 28 days later (2002). This film, a post apocalyptic horror thriller, revitalized the zombie genre and showcased DNA films ability to support innovative storytelling and genre bending narratives. The movie was a commerical success and further solidifed DNA films reputation as a risk taking production company.

One of DNA films most significant contributions to the UK film industry is its involvment in the production of the Last King Of Scotland (2006). This powerful drama, directed by Kevin Macdonald, delves into the life of Ugandan dictactor Idi Amin, portrayed masterfully by Forest Whitaker. The film earned critical acclaim and numerous awards, including an Academy Award for Whitaker's exceptional performance. DNA Film's involvment in this project demonstrated their commitment to diverse storytelling and their ability to produce high-quality, socially relevant films.

In addition to their focus on British talent, DNA Films has also ventured into international co-productions, expanding its reach and influence. Once such example is the collaboration with Alex Garland, a highly regarded British writer and director. DNA Films partnered with Garland to produce the thought-provokng science fiction film Ex Machina (2014). This visually stunning and intellectually engaging film garnered widespread critical acclaim and introduced DNA Films to a broader international audience.

Moreover, DNA Films involvment in the production of Sunshine (2007), directed by Danny Boyle, showcased their ability to tackle ambitious and visually striking science fiction narratives. The film, set in a future where the sun is dying, combined stunning visuals with philosophical themes, establishing DNA Films as a company capable of producing visually captivating and intellectually stimulating cinema.

DNA Films contributions to extend beyond individual films to the broader industry. The company has played an active role in supporting film education and development through partnerships and initiatives. They have collaborated with educational institutions and organizations to provide aspiring filmmakers with opportunities for mentorship and practical experience. DNA Films commitment to fostering the next generation of talent underscores their dedication to the long-term growth and sustainabilty of the film industry.

Ealing studios

Ealing Studios is a British film production company that was founded in 1902 and became known for producing some of the most iconic films of the mid-20th century. Over the course of its history, the studio produced over 150 films, many of which have become beloved classics of British Cinema.

History

Ealing Studios began life in 1902 as a silent film production company known as Will Barker studios. The company was based in a small studio in southall, west London, and produced a variety of films, including comedies, dramas, and westerns. In 1910, the company changed its name to the London Film Company, and in 1913, it moved to a larger studio in Ealing. However, during world war I, the studio was taken over by the government for use as a munitions factory.

In 1929, the studio was purchased by Gaumont-British, a major British film production company, and renamed Gaumont British Studios. During the 1930s, the studio produced a number of successful films, including The private life of Henry VIII (1933) and the 39 steps (1935).

Ealing studios entered its golden age in the 1940s and 1950s under the leadership of Michael Balcon, who was appointed head of production 1938. Balcon was determined to make films that reflected lives and concerns of ordinary people, and he a hired a team of talented writers and directors to help him achieve this goal.

During this period, Ealing studios produced a series of classic comedies and dramas, including whisky galore (1949), Kind Hearts and Coronets (1949), The Lavender Hill Mob (1951), The Titfield Thunderbolt (1953), and The Ladykillers (1955). These films were characterized by their sharp wit, finely drawn characters, and gentle satire of British society.

Decline

Despite the success of its films, Ealing Studios began to decline in the late 1950s. The rise of television and changing tastes among moviegoers meant that the studio's brand of gentle comedy and drama was no longer in fashion. In 1995, Balcon resigned as head of production, and the studio was sold to the BBC.

Under the BBC, Ealing Studios continued to produce films and television programs, but i was no longer the major player in the British film industry that it had once been. In 1959, the studio was sold again, this time to the Associated British Picture Corporation, which continued to use the studio to produce films and television programs until it closed on 1959.

Legacy

Despite its relatively short lifespan, Ealing Studios has left a lasting legacy on British cinema. Its films are still celebrated for their sharp wit, finely drawn characters, and gentle satire of British society. The studio also helped to launch the careers of a number of talented actors and filmmakers, including Alec Guiness, Peter Sellers, and Charles Crichton. Today, the Ealing Studios complex has been converted into a business park, but its influence on British cinema is still felt to this day.

Mise-en-scene

Mise en scene is a term used in film analysis that refers to the visual composition of a scene. It encompasses everything that appears in the frame of a shot, including the placement of actors, the lighting, the set design, the costumes, and the overall aesthetic of the scene. The purpose of mise en scene is to create a specific mood, convey certain themes, and enhance the story being told.

Examples of Mise En Scene

The shining

In this clip of the shining, the demonstration of mise en scene is shown through the set design of the overlook hotel. It is used to create a sense of foreboding and to forshadow the horror to come. The hotel's maze like layout and eerie wallpaper contribute to a feeling of disorientation and confusion, while the constant presence of Native American imagery creates a sense of foreboding. The use of symmetry and patterns in the set design also creates a sense of inevitability and repetition, which emphazises the cyclical nature of the horror that is to come.

GET OUT

In the 2017 film Get out, the use of set design and lighting is used to create a sense of unease and discomfort. The protagonist, Chris, is a black man visiting his white girlfriend's family for the first time, and the family's mansion is filled with creepy antique furniture and eerie decor. The lighting is dim and unnatural, with a greenish tint that creates a sickly feeling. The film as a whole is effectively uses mise en scene to create a sense of unease and discomfort for the audience, as well as to convey its themes and ideas.

The opening scene of get out sets the stage for the rest of the film by effectively using mise en scene to create a sense of unease and tension. The opening shot is of a dark and foreboding street, with a single car driving towards the audience. The car is positioned in the center of the frame, with the streetlights casting a dim and eerie glow on the surroundings. The use of darkness and shadows in this scene creates a sense of foreboding and sets the tone for the rest of the film.

In this scene Chris is hypnotized by Missy Arimtage the mother of his white girlfriend. The mise en scene in this scene is particularly effective, as it creates a sense of claustrophobia and confusion. The camera is positioned close Chris's face, and the lighting is dim and oppressive. The use of shallow focus and tight framing creates a sense of isolation and disorientation, which contributes to the overall feeling of being trapped and unable to escape.

band of brothers: bastogne

The shot composition in bastogne is particularly effective at conveying the bleak and desolate conditions the soldiers were facing within the battle of the environment. The episode begins with a shot of a soldier walking through the woods, followed by a cut to a close-up of a man's face. The vast environment is being picked up the camera in a dolly shot, right now we are just being shown the environment.

The shot compositions are used effectively in conveying the chaos and danger of the situation. There are scenes of the camera being handheld and often very close to the actors faces in order to create a sense of intimacy and immediacy. One of the best things about the performance of the actors is the minimal amount of dialogue being said throughout the scene, yet alot is said and expressed through the actors conveying their body language and facial expressions.

The Revanant

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1/5

Visual style:

The visual style of The Revenant is stunning and immersive. The film was shot by the legendary cinematographer Emmanuel Lubezki, who used natural lighting and long takes to create a realistic and atmospheric look. The film has a very naturalistic color palette, with muted blues and greens that capture the harshness of the environment. The camera work is also notable for its use of handheld shots, which add to the sense of immediacy and realism.

Environment:

The environment plays a central role in the film, with the harsh, snowy landscape of the American wilderness serving as a character in its own right. The film was shot on location in Canada and Argentina, and the stunning scenery is captured in all its natural beauty. The use of natural lighting and long takes also adds to the sense of immersion in the environemnt.

Audio:

The sound of design of The Revenant is incredibly detailed and immersive, with every sound serving to enhance the sense of realism. The sound of the wind, snow, and trees is prominent throughout the film, and the score by Ryuichi Sakamoto and Alva Noto is haunting and minimalist.

Editing style:

The editing style of The Revenant is slow and deliberate, with long takes and extended sequences that add to the sense of realism and immersion. The film has a nonlinear narrative structure, with flashbacks and dream sequences that add depth to the characters and their motivations.

Narrative:

The narrative of The Revenant is simple and focused, with the story of revenge driving the plot. The film is based on the true story of Hugh Glass, and the screenplay by Inarritu and Mark L. Smith captures the brutality and harshness of life in the American wilderness.

Film introduction: Homework

20 second clip

I liked Ramzi's clip because it had a nice combination of humour and narrative.

The video displayed good use of sound from when the motion of the knees bending, the cracking sound came after.

The POV was good along with the acting created a strong narrative from the beginning, middle and end. The POV and close ups is what kept the clip engaging from start to finish, and the dialogue is

i liked how the video had a smooth fade in within its intro.

40 second clip

The transitions in the video are very clean and has a smooth pacing from scene to scene.

The intro was very slick and made a good entrance to the video

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Film industry: Job roles

Movie end credits

I watched the ending credits of batman forever in order to look at study different job roles.

One job role that i find interesting in pursuing is the job role of a dolly grip, which is operating and maintaining the camera dolly.

Job role of a dolly grip

A dolly grip is a key member of the camera crew on a film or TV set. Their primary responsibility is to operate and maintain the camera dolly, which is a platform that moves along rails or tracks to create smooth and stable camera movements. They work closely with the camera operator, director of photography, and other members of the camera crew to ensure that the camera movements are executed precisely and safely. Specific job duties of a dolly grip may include:

Setting up and dismantling the camera dolly, including assembling the tracks and securing the camera mount
Moving the camera dolly along the tracks during filming, following specific instructions from the camera operator and director of photography
Adjusting the speed and direction of the camera movement as needed to achieve the desired shot
Maintaining the camera dolly and its associated equipment, including performing regular inspections and repairs as necessary
Collaborating with other members of the camera crew to coordinate camera movements with other elements of the production, such as lighting and sound

Dolly grip

The best boy grip is a senior member of the Grip department in film and TV production. They work closely with the key grip and the director of photography to ensure that the camera and lighting equipment is set up and maintained properly. Some of the responsibilties of a Best Boy Grip:

Equipment Management: The Best Boy Grip is responsible for ensuring that all the necessary grip equipment is available and in good working order. This includes lighting stands, clamps, cables, flags and other grip equipment
Crew Management: The Best Boy Grip works with the key grip to manage the grip department crew. They are responsible for assigning tasks and responsibilities to other grip crew members, and for ensuring that the team works efficiently and safely.
Safety: The Best Boy Grip is responsible for ensuring that all grip equipment is set up safely and securely. They are also responsible for for ensuring that the grip crew members follow safety protocols and procedures.
Set-up and Rigging: The Best Boy Grip is responsible for setting up and rigging camera and lighting equipment on set. This includes assembling and positioning camera cranes, dollies, and other specialized equipment to achieve desired shots
Communication: The Best Boy Grip is responsible for communicating effectively with the director of photography, camera crew, and other department heads to ensure that the grip department is meeting the production's needs.

Best boy grip

Camera and editing techniques

Advanced editing and filming techniques are the methods used by filmmakers to create visually stunning and engaging movies that capture the viewer's attention. These techniques are often used to create a specific effect or evoke a particular emotion in the audience.

Jump cut

A jump cut is a filmmaking technique that involves the abrupt transition from one shot to another within a sequence, resulting in a noticeable discontinuity in time or space. Unlike traditional editing techniques that aim for seamless transitions, jump cuts intentionally disrupt the visual flow and create a jarring effect for the viewer. This technique has been widely used in the film industry and has various effects and significance in the overall cinematic experience.

One of the most notable effects of jump cuts is their ability to compress time or condense a narrative. By removing portions of a continuous action or dialogue, jump cuts can convey the passage of time more quickly, allowing filmmakers to cover a significant span in a short period. This compression of time can create a sense of urgency, heighten tension, or emphasize the importance of specific moments within a sequence.

Jump cuts can also be employed to convey a character's psychological state or disorientation. By utilizing sudden and unexpected shifts in perspective or spatial relationships, filmmakers can reflect a character's inner turmoil or confusion. These cuts disrupt the visual coherence and stability, immersing the audience in the character's emotional state. This technique has been used in psychological thrillers, dramas, and experimental films to evoke a sense of unease or to depict fragmented thoughts and memories.

In addition to their psychological impact, jump cuts can also be used as a stylistic choice to create a sense of rhythm or visual interest. When used sparingly and with purpose, jump cuts can inject energy into a sequence, giving it a dynamic and fast paced feel. They can be particularly effective in sequences featuring repetitive or rhythmic actions, such as dance sequences or montages. The sudden shifts in perspective and movement can add visual flair and engage the viewer on a more visceral level.

Examples of J cut being used

Breathless (1960) In Godard's seminal film, jump cuts are used extensively to create a sense of unease and to convey the film's themes of alienation and existentialism. Breathless (1960) In Godard's seminal film, jump cuts are used extensively to create a sense of unease and to convey the film's themes of alienation and existentialism. One notable example occours when the protagonist, Michel, is driving a stolen car and the camera cuts repeatedly between his face and the road ahead, creating a jarring sense of motion and instability.

In Martin Scorsese's classic crime drama, jump cuts are used to convey the frenetic energy and fast-paced lifestyle of the gangsters depicted in the film. One memorable scene involves the character of Henry Hill as he runs through the streets trying to evade the police, with the camera cutting rapidly between shots of him running, the sound of his breathing, and close-ups of his panicked face.

Research: Pre production

What is a film treatment

A film treatment is a document that outlines the story, characters, and themes of a proposed film project. It serves as a preliminary step in the screenwriting process, and is often used to pitch the project to producers, investors, or studios.

A good film treatment should provide a clear and compelling overview of the story, while also conveying the writer's vision and style. It should be concise and well-structured, with a strong narrative arc and vivid character descriptions.

Examples of different types of film treatments

Narrative treatment:

This type of treatment tells the story in a prose format, usually in present tense, and provides a sense of the pacing, tone, and visual style of the film. Here's an example of a narrative treatment for the movie "Eternal Sunshine of the Spotless Mind":

"Joel and Clementine are a couple who have been through a tumoultuous relationship. After a particularly bitter fight, Clementine undegoes a procedure to have all memories of Joel erased from her mind. When Joel discovers what she's done. he decides to undergo the same procedure, but soon realizes he doesn't want to forgot Clementine. As his memories are being erased, he tries to hold on to them and find a way to reconnect with Clementine."

2. Step outline: This type of treatment breaks down the story into a series of key events or "beats", with each beat described in a few sentences or bullet points. It's a usefool tool for organizing the story and identifying potential pacing issues. Here's an example of a step outline for the movie "Jurassic Park".

Beat 1: Introduction of character and setting- Dr. Grant and Dr. Sattler are introduced while on a dig site, and are invited by John Hammond to visit Jurassic park.

Beat 2: Arrival at the island-Grant and Sattler arrive on the island and are given a tour of the park by Hammond and Dr. Malcolm.

Beat 3: The first dinosaur encounter- The group sees a live dinosaur for the first time, and Grant and Sattler are amazed.

Beat 4: The storm hits- A tropical storm hits the island, causing the power to go out and the dinosaur fences to fail.

Beat 5: Escape from the T-Rex - The group is chased by a T-Rex and forced to flee in a jeep.

Beat 6: The raptor attack- The group is attacked by a pack of raptors in the visitor center.

Beat 7: The helicopter escape- The survivors are rescued by helicopter and leave the island.

Visual Treatment

This type of treatment focuses on the visual elements of the story, including the setting, lighting, camera angles, and other technical details. It's often used in conjunction with storyboards or concept art. Here's an example of a visual treatment for the movie Blade Runner:

Opening shot: A panoramic view of a neon lit futuristic city, with the camera slowly zooming in on a crowded street.
Close up of a replicant's eye, followed by a tracking shot of him walking through a dark alley. Flashback to a replicant rebellion, with quick cuts of violence and destruction.
Introduction of Deckard, a blade runner, as he's given his assignment to hunt down and 'retire' a group of rogue replicants.
A chase scene through the city, with Deckard pursuing a replicant through crowded streets and alleys.
A confrontation between Deckard and the replicant leader, with philosophical discussions about what it means to be a human.
Final showdown in a dilapidated building, with Deckard battling the remaining replicants in a brutal fight scene.
Epilogue: Deckard leaves the city with his love interest, uncertain of their future in a world where humanity and technology are increasingly blurred.

Types of target audiences

Target audience in the film industry refers to the specific group of people that a film is aimed at reaching, engaging, and resonating with. Identifying the target audience is crucial in the film industry as it helps determine marketing strategies, promotional campaigns, and distribution channels. There are various factors and elements that go into identifying the target audience in the film industry.

Demographics

This refers to the characteristics of the audience, such as age, gender, ethnicity, location, and socioeconomic status. Demographics can help filmmakers determine the type of stories and characters that would appeal to their audience.

Genre

The genre of the film plays a significant role in identifying the target audience. For example, a horror film would target an audience that enjoys being scared, while a romantic comedy would target an audience that enjoys romance and humor.

Language

The language of the film is also a crucial factor in identifying the target audience. Films made in different languages are likely to appeal to different audiences.

Branding

The branding of the film, including its title, tagline, and promotional materials, can also impact the target audience. The branding should be designed to attract the attention of the target audience and create a desire to watch the film.

Distribution channels

The distribution channels used to reach the target audience also play a significant role. For example, streaming services may be more effective at reaching a younger audience, while traditional cinema may be more effective at reaching an older influence.

Importance of demographics

Demographics are a critical factor in the film industry as they help filmmakers understand their target audience and create content that resonates with them. Demographics refer to the characteristics of the audience, such as age, gender, ethnicity, location, and socioeconomic status.

One of the key reasons why demographics are important is that they can influence the type of content that filmmakers create. For example, films are targeted at teenagers are likely to feature themes and issues that are relevant to that age group, such as first love, peer pressure, and social media. In contrast, films targeted at older audiences may focus on themes such as retirement, family relationships, and health issues.

Demographics can also impact the marketing and distribution strategies used for a film. For example, a film targeted at a younger audience may be promoted on social media platforms, while a film targeted at older audiences may be advertised in print media such as newspapers or magazines. Similarly, distribution channels may vary depending on the demographics of the target audience. For example, a film targeted at a younger audience may be released on streaming platforms, while a film targeted at older audiences may have a more traditional release in cinemas.

Exploring Colour Theory in the film industry

Colour theory is a fundamantal aspect of visual storytelling in the film industry. This research analysis delves into the significance of colour theory in film, examining its impact on narrative, emotion, character development, and visual aesthetics

By exploring industry examples, we illustrate how color choices can convey meaning, enhance storytelling, and evoke specific emotional responses from audiences.

Colour plays a vital role in cinematography and film production, acting as a powerful tool for filmmakers to communicate and evoke emotions.

Importance of colour theory in film:

Colour theory is an integral part of the film industry as it plays a significant role in evoking emotions, setting a mood, and conveying themes. Colours have the power to create a sense of nostalgia, tension, fear, and happiness. Filmmakers utilize colour theory to enhance the overall cinematic experience and create a connection between the audience and the story.

Colour theory helps filmmakers create a cohesive visual language that communicates with the audience on a subconscious level. It enables them to direct the viewer's attention to certain aspects of the film, create depth and dimension, and enhance the overall aesthetic quality of the film. Moreover, colour theory can be used to differentiate between scenes, locations, and time periods, making it easier for the audience to follow the story.

Colour symbolism and narrative:

Color Symbolism is an essential aspect of film production, enabling filmmakers to convey meaning and enhance storytelling.

Emotion and Mood:

Color has a profound impact on human emotions and can evoke specific moods. Filmmakers strategically use colors to create an emotional response in the audience. For example, warm colors like red and orange are often associated with passion, energy, and intensity. In the shining (1980), director Stanley Kubrick used a vivid red colour palette to heighten the sense of horror and tension. Similarly, cool colours such as blue and green are commonly associated with calmness, serenity, and melancholy. The film The Grand Budapest Hotel (2014), directed by Wes Anderson, employs a predominantly pastel colour scheme to evoke a whimsical and nostalgic atmosphere.

Symbolism and Themes:

Colours can be symbolic, representing specific ideas, themes, or character traits. Filmmakers utilize this symbolism to reinforce narrative elements. For instance, the use of white often represents purity, innocence, or a sense of transcendence. In the film The Matrix (1999), directed by the Wachowski siblings, the colour green is used to extensively to represent the digital world, technology, and the artificiality of the matrix. Red, on the other hand, symbolizes danger, reality, and awakening.

Visual Hierarchy and Focus:

Colour can be employed to guide the viewer's attention within a frame. By using contrasting colours or placing a subject against a complementary background, filmmakers can direct the audience's gaze and emphasize important elements. In the film Schindler's List (1993), director Steven Spielberg presented the story in black and white but added selective red coloring to highlight specific objects, such as a little girl's red coat, symbolizing the atrocities of the Holocaust.

Time and Atmosphere:

Colours can be utilized to indicate time periods or create a specific atmosphere. In period films, colour palettes are often adjusted to match the historical era portrayed. For instance, the film The Great Gatsby (2013), directed by Baz Luhrmann, employs vibrant and saturated colours reminiscent of the 1920,s reflecting the opulence and excess of the Jazz Age.

Furthermore, colours can be adjusted to create different atmospheres within the same film. Christopher Nolan's The Dark Knight (2008) uses a desaturated color scheme to convey a gritty and somber mood, enhancing the dark and brooding nature of the narrative.

Character Development:

Colours can contribute to the development and characterization of film protagonists and antagonists. By associating specific colours with certain characters, filmmakers can convey personality traits or signify changes in their arcs. In Black Swan (2010), director Darren Aronofsky employed a stark constrast between white and black to represent the duality and the internal conflict within the main character. As the film progresses, the black colour becomes more dominant, reflecting the protagonist's descent into madness.

Define: what is a risk assessment

Risk assessment refers to the process of evaluating potential hazards and dangers that may arise during the production of a movie, and developing srategies to mitigate those risks. This can include identifying potential risks to cast and crew, such as physical injury or exposure to hazardous materials, as well as risks to the overall production, such as financial losses or delays.

The risk assessment process typically involves a thorough examination of all aspects of the production, from the script and location to the cast and crew, to identify potential hazards and risks. Once potential risks have been identified, filmmakers can develop plans to minimize or mitigate those risks, such as using safety equipment, adjusting the script or production schedule, or hiring additional personnel with specialized skills or training.

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